The Basics of Philosophy review – Paul Schrader back to his cool, cruel best

From the publisher

Paul Schrader is back with his most successful picture since First Reformed in 2018. It’s a stereotypical Schrader study of masculinity in some ways, about a man agonising over moral choice and ethical behaviour while – as so often in Schrader’s movies – reading and writing philosophy in an austerely furnished room. And yet there is nothing abstract about the issue he faces here. The film moves with a determined suspenseful tread, everything hangs together right up to the queasy final shot and Schrader flavours everything with a streak of melodrama and even a kind of gaunt black comedy. Karl Glusman’s cameo is surely the weirdest thing at Venice this…

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